Good work the beauty of the soul

Pazylbek Bisenbaev

Senior Lecturer of the Department of Kazakh

Literature and Literature Theory at Kazakh

National University named after Al Farab

 

                             Good work the beauty of the soul

At the Kazakh National University named after Al Farabi passed  a round table called «A.Tajybaev dramaturg» at the Faculty of Philology of World Languages.One of the most well-known drama works by A.Tajybaev in public is Monologues. Generally, other playwriters, who contributed to the development of Kazakh drama, often have lyrical monologues in A.Tajibayevs works. Because he is a great poet who wrote lyrical poems. And the talented poet is a master of the way to bring a persons inner secrets and contradictions through a monologue, and even the first-born monologue monologue is accompanied by a poem, even impressive. That is why our playwrights do not go to such artistic practices. This is one of the main features of A.Zh.Tazhibayevs playwright.

The characters of the play “Monologues” are the famous figures of the 20th century. They are: poet, social activist Saken Seifullin, heroes of the Soviet Union General Panfilov, Tolegen Toktarov, Manshuk Mametova, two times Socialist Worker Ybyrai Zhakayev, People’s Artist of the Soviet Union Kulyash Baiseitova, academician Kanysh Satpayev, among them are poets and authors.

The poet-author and time dialogue and chorus that combine individual episodes to drama character into the main play. The writer-poet, who is considered to be a hero of the product, has a bitter truth in A. Tazhibayev’s words. The monologues of the poets reveal that the changes that took place at different times and the various aspects of man’s nature reveal that the monotonous times belonged to the time, the symbol of the grave, the truth of life. Since the heroes are the owners of each generation and profession, their monologues are marked by the outstanding moments of the Ottoman history. These monologues mainly help to define the worldview and life position of the playwright A.Tajybaev. The author expresses his viewpoint through his characters. The play writer has a great deal of periodicity and continuity in the way the historians are in the sequence of the scene, in which all the monologues are measurable, and that the methods of rhythm are not comfortable. First, S.Seifullin is leading the stage. Fighting for the freedom and happiness of the people, Saken was accused of criticizing the shortcomings and shortcomings of the era.

Author:

Reprimand to whom,

Where is my spit?

Name! Who? What are you doing?

Where is my grave buried? —

He tells the truth to the poet. The playwright Saken Seifullin made every effort to preserve the rhythms, styles and styles of his poems.

In the monologues of the heroes of the Great Patriotic War General Panfilov, T. Tokhtarov and M.Mametova, the spirit of patriotism is given in a special way. His father was called “the enemy of the people”. Manshuk is a heroic hero of the Kazakh girl, waiting for his father’s birthday. Mother wants her heart to be tolerant toward unfair cuts. He told him: “You are the only one in my heart, wait. I will come. Do not cry or cry”. Of course, the drama of the newborn hero.

The devastating war has been awakened by Ibrai Zhakayev. He tears his eyes up and threw his son into the fire. Under the guise of such a great tragedy, she would go out. However, Ibrai, who is characterized by the great power of the Kazakh people, is no exception. He walks back into his hands and puts it in the ranks. As you can see, the author finds the path to the tragedy in the beginning of each heroine.

Monologues, represented by scientists like Kulyash Baiseitova and Kanysh Satpayev are reflected in their lifestyle and contemporary realities. They witnessed great changes in their own country, and were delighted with the pompous accomplishments of their fellow worshipers, not to mention the shortcomings that existed in that society. Domestic violence through the internal affairs of the dignitaries testifies to the national tradition and the moral character of contemporaries. Kulyash, a lover of the nation, who is laughing and laughing at the words of the people, does not care about the words of the people, but only expresses his habit,

With a heavy heart,

Stay tuned in.

In the joy of glad tidings,

Do not burn laughter at all”.

All this is like the testimony of the poet, who has passed through some difficult times, on behalf of strangers. Humility, respect for the elderly, and recognition of humanity as brothers are the attributes of the older generation’s conscience.

It is obvious that the play “Monologues”, known as the “Everyday Day” to the audience, is the result of A.Tajibayev’s many years of research. While the outward appearance seems to have been abandoned in the genre, the dramatic, habitual form of the drama is also remarkable. Theatrical performers have a deep understanding of the stage and transform into an attractive play. Theatrical critics and journalists positively assessed the work in the Kazakh theater of the drama. The play “Monologues” by a large number of human souls, his inner drama, is widely regarded as a successful world of A.Tazhibaev’s ideas to Kazakh playwrights.